Shag kicks ass!
How many can you pick out?
Edward Scissorhands, A Christmas Story, Hellraiser, Princess Bride, Freaks- if it has a following, somebody probably did it.
It's not for sale, FRAN-CESS!
Where I occasionally post random bits of amusement
Shag kicks ass!
How many can you pick out?
Edward Scissorhands, A Christmas Story, Hellraiser, Princess Bride, Freaks- if it has a following, somebody probably did it.
It's not for sale, FRAN-CESS!
Not exactly the "Pharaoh's Crown", huh JettL93?
For the non-believers (that have Flash!), check out the announcement on the official site or on Ain't It Cool.
Unlike some of the immediate reaction by raving fanboys/girls, I don't have any real distaste for the title. Fanboys/girls are apt tp have sudden, violent reactions, so nobody should be surprised. Least of all Lucas, who has experienced this phenomenon every two years since 1998.

This material was unavailable for many years until Varese Sarabande released the full score as part of their "club" collection (which just means there's a limited run of 3,000 produced). There was a bootleg release in 1998, but they're hard to come by as well. Unfortunately, I've only recently been reaching out to other score junkies on the Internet and didn't know about this release until long after the disc was sold out (which was probably a matter if weeks.) Now if you want the score, it means forking over $50 bucks on ebay.
The first time I listened to these tracks I was sort of underwhelmed, but it really grows on you. So much of Elmer Bernstein's original cues are cut up or altogether replaced in the final cut of the film that the score at times felt like it went with an inferior movie. In a way, it is a portentious reminder what a turkey this film could have turned out to be. That's not a knock at all against Bernstein's score or the material, which was executed impeccably. Tracks like the beginning of #21 will instantly bring to mind exact moments in the movie for any GB junkie.



It's true and it's all over the Net. Like trying to contain details on a Star Wars prequel or an Indiana Jones sequel, the secrets of Harry Potter and the Deathly Hallows have been pouring out all over the Internet in the last 24 hours.
In fact, I don't think Ratatouille has gotten enough acclaim in a summer full of overblown action movie sequels. The film was well written/directed/scored. It was Pixar's top quality product, second only to the Toy Story movies and tied (for me) with Incredibles for 2nd place among the best Pixar films.
I think what I enjoy the most about "Shockwave's Burden" is the hilariously pathetic side DRSMOOV has shown us of Cybertron's brute-by-the-book "Guardian". It's really plays up some foibles that one might have suspected were always there, but I don't remember ever really seeing in the tv shows. Meanwhile, the dialogue DRSMOOV has given some of the characters just tops off the clever situations he's put the characters in. If you don't laugh at any of Shockwave's "Oh shit. What now?" or "What does this jerk want?" comments, you maybe be even less human than a transforming alien robot.
As for the Rude Awakening of Optimus Prime, besides hearing the iconic Autobot leader say words that would not have been fit for Sunbow, Prime's uber-human reactions to the remaining less-than-favorite Autobots seems to mirror much of my own (and undoubtedly other G1 fans') feelings towards Blur, Wheelie, Bumblebee's makeover, etc. when we first experienced these wonderful changes to the G1 Transformers.
To quote DRSMOOV's Prime: "Of all the Autobots to survive...fuck me." Yes, Prime. We all thought the same thing.